What's on my loom and what a weaving pattern looks like

Ever wonder what is generally used by handweavers to set up their looms for certain patterns? Here's what I'm working on right now. The four component parts are:

• The chart at the top left shows what order to thread the loom through which shaft; I just keep doing that until I run out of yarns. For my current project, which is quite wide, I have over 600 individual threads.
• The chart next to it on the top right show which shafts to tie up to which treadles.
• The chart at the lower right tells which what order to treadle in; this one is a very easy to treadle!
• The lower left is what the smallest unique bit of this fabric

Here's the project on the loom

I also have to know how to space the yarn; the current project is pretty thick, 18 ends per inch, but the reed I'm using only has 12 slots per inch, so every other slot has two threads in it.  I'm using odds and ends of commercial sock yarn, including a couple of full skeins, some leftover green alpaca from Paulie sweater, and some over dyed partial skeins. This is an ambitious project; I need a piece of fabric that is 30ish inches wide and at least 2 yards long after being woven and finished; to do that, my weaving software tells me I'll need  1836 yds of weft (the sock yarn) and 1512 yards of weft (Jaggerspun Zephyr merino silk).

Normally one would "sample", that is to create a test piece to see if I like the fabric it ends up being when I take it off the loom. I need this fabric by next Thursday so I skipped the sampling step and am hoping that it's not a bad decision. I've woven sock yarn at 18 EPI before so I feel confident.

I'm over a yard into the weaving now; so should have finished pictures in a few days!

Mosaics at Esalen and a knitting retreat!

I spent last week at Esalen taking a mosaic class with Wilma Wyss... What a wonderful experience! This is the third class I've taken with Wilma, and the second one at Esalen... There were 6 or 7 of us that had been in the class last year, and the rest were mostly new to mosaic. Wilma handled the various levels of knowledge and skill perfectly! I love her classes. Here's last years next to this years:

Last year

This year

So my technique is getting better, although I think my artistic expression still needs some work. I spent a lot of time talking to Ilse, Wilma's assistant, who is a very experienced mosaic artist, and learned a lot from her. These are the things that I want to remember:

• Using tile tape to pick up and move a whole design; I didn't do this, but Angie did. It's fast, but has some risks for gaps under clear glass, splugy adhesive,  and tiles shifting, but I may try it anyways. 
• Ilse's been making "cookies", which are motifs laid into a very thin layer of thinset, then applied to a larger mosaic; the benefit is that you've got a chunk of a design you can lay all at once. The downside is because of the extra layer of thinset, it may be slightly raised from the rest of the design.
• We also talked about using clear shelf liner (sticky side up) as a temporary substrate; you lay your tiles out on it, then put a second layer on top of it. Flip it over, remove the bottom shelf liner, and then apply a substrate covered with thinset to the upside down mosaic. Hypothetically you can then peel off the shelf liner (pull back, not up) and adjust any errant tiles.
• K, one of my classmates, bought a card in the Esalen gift shop and worked on making that image in mosaic. Her husband had brought a laptop, so they used Wilma's projector to project the image on the wall, traced it onto paper, then simplified and transferred the image onto the substrate. 

There was a professional artist in the class, and a couple of trained artists...  Their pieces were so lively with a wonderful sense of light and depth that my works lack. This is in fact what I want to work on this year, I'll be figuring out how to study that in the spring.

After the workshop, I joined my Monday Night Knitting group in Carmel for our yearly retreat. The storm blew in shortly after I arrived, and the next morning we woke to a power outage. Power was out until about 10PM; there we were, knitting by candlelight. Thanks to G for picking up candles and for the rest of the group for emptying all those bottles before I arrived so we had candle holders! I finished some fingerless mittens to go with the tam I knit last year, and even added a little embroidery to them. I changed up the foreground and background colors for a little variety. They'll look a little more together when they've been wet finished.

It's probably time for a What Do I Want to Get Accomplished in the Next Period of Time post... I'll get to work on that for next time!