Guild Weave In

I've been wanting to do some things to foster community for myself and others.  Last summer, I thought maybe I'd invite 8 weavers from my Guild to come and all weave the same object over a weekend! The project needed to be 4 shaft, since most folks have 4 shaft traveling looms; it should be doable by an advanced beginner, and should have broad appeal. I settled on the PennyWise runner pattern by Linda Ligon, published in the September/October 1984 edition of Handwoven magazine. I'd picked a date in October but with all the travel, I didn't get a chance to do a test weave in enough time for a fall date. (I wanted to do a test weave because I've never worked with some of elements of the pattern). 

We scheduled for the 3rd weekend in January, just after the Presidential inauguration and a good time otherwise to treat ourselves with a weekend of fiber. The event was oversubscribed!

Long Thread gave permission to copy the pattern for the participants, although everyone apparently had a Handwoven subscription and has pulled it from their archives. Our sincere thanks to them! I will be following up with an email with photos once folks start sending them to me.

I warped for two runners and wove the first so that I was familiar with it... There are 4 shots of hand controlled leno lace and 2 sections of complementary colorwork. Good thing I pre-wove; my notes are:

• The linen doesn't do well for me on a pirn; I used a shuttle with a bobbin instead and it still wants to jump off the bobbin.
• Pay careful attention to selvedges, treat the linen like it's rug yarn (technically it is).
• I got extra draw in during color patterned part, so watch that.
• I would weight the floating selvedges separately and not wind them on as part of the warp; even with a 3 foot runner, the floating selvedges are getting too loose.
• The areas between the leno and the colorwork are not in the drawdown but in the written part of the pattern so be careful!
• I fiddled with the leno to get both sides of the colorwork to look even. The tapestry fork was useful. I loosened the tension, picked up the leno, loosened it more and turned the pickup stick sideways (picture would be awesome) to do the leno shot; then tightened it up half way to beat it in then didn't fully tighten the warp until I was done with the next pick.

McGyver'ed beater

There were a number of issues once we started weaving... JH has a AVL workshop dobby that has their famous sand paper rolling breast beam; the thick linen wouldn't stick to it and he ended up having to be very creative to get it working. HH ended up breaking her beater, but we tapedit with pink duct tape to get her weaving again and her husband McGyvered it for her Saturday night. Several (but not all) of the table looms had issues beating firmly enough. 

There were two patterns; the original in the 80's Handwoven Magazine, and a reprint in a compilation of runner patterns. The quantities of embroidery floss did not match (the older was correct) and the first 8 picks were different. Luckily the first 8 picks are not a big issue and there is a source of embroidery floss about 15 minutes from here, so this didn't end up being a problem.

The other "gotcha" was that there really isn't good notation to put in drawdowns for some of the things in the pattern, so they were written out instead; I flagged that for the group which made things go faster.

By Saturday afternoon most of us were weaving away, and more than half of us finished weaving by the end of the day on Sunday. It certainly felt like everyone had a good time and they're asking for another event!   It was a lot of work, and once or twice a year seems best; plus, and my DH pointed out, if you do it too often it's less special. The group thought napkins would be good for the next event. I'm already thinking about some patterns. Maybe June.

Compilation of some of the runners

Everybody loves these bags

I've been asked multiple times for info on where I got my rice bag pattern and kits and so I'm documenting it here so I can give people a link or copy and paste the info... I've made two now and have pieced together the pieces for the next two.

Komebukuro are bags traditionally used to take offerings (usually rice) to temples on festivals; they're often pieced together and decorated with embroidery. 

I saw a pattern and kits for them at Sew Creative in Ashland, Oregon; it's a lovely little quilt store on the main street.  My friend P. and I both bought the pattern and kits for the bags. 

The link to the kits is here https://www.sewcreativeashland.com/collections/rice-bag-kits

The rice bag kit claims to come with enough fabric for three bags, and enough twill tape to for the ties on one bag. I found that it was easy to get four bags out of it, but I used denim for the bottoms of two of them; I pieced the bottoms for the other two out of offcuts. I think you could get might be able to get pieced bases for all 4 bags? But cut the pieces for the sides first.  (It's also possible if I cut thoughtfully and used denim for all the bottoms, I could have gotten 5 bags). You can order more twill tape at a reasonable price from Sew Creative or sew straps from cotton fabric.

They also sell a Creative Kit which has fun ribbon, some fun accent fabrics, buttons, etc... I found that one was good for 2 bags. If you have a deep fabric and notions stash you can probably skip this.

The pattern calls for sashiko thread (I have none) but says embroidery floss is a good substitute (I have lots) so I used embroidery floss and had a lot of fun with it.

You also need iron on fleece and some interfacing; 5 9x9 blocks of each. The pattern class for specific brands/weights but I don't know if it matters much. The lining seems tooo heavy with interfacing but too light without.

I used quilting cotton for the lining and added a zipper pocket on the inside; I might put a slip pocket in the next two bags.

There are a bunch of patterns on the internet and on Youtube (google komebukuro or japanese rice bag), so it's possible you don't need to order the kit from Sew Creative; I didn't look at any so can't offer a recommendation. I do like the weight of the fabric in their fabric kit; it's heftier than quilting cotton and it makes the bag look more substantial.

Everybody loves these bags!

Mid January

It's mid Feb and I've mostly been doing other things... but on the art and fiber front:

Working away at knitting a blue cashmere sweater.

Nearly done getting the loom set up to weave the carrot towels...

Made all the blocks for two more rice bags and need to start embellishing them. I ordered (and received) another embellishments kit with cute fabrics, fun ribbons, etc... 

I printed 12 postcards with snowflakes in an ombre blue. Artistically, I'm somewhat offended that I associate winter with snowflakes, having always lived in an area that has no snow. Anyways, I am very pleased with the outcome, and I feel like I got the Ombre right, but here are some issues:

• The lino I cut was slightly smaller than the post card so a bit didn't print. I ended up using the paper cutter to make the cards a little smaller.
• I wasn't sure how to handle the flake coming in from the left and I think it looks a little awkward.
• The proofs (like the photo below) came out pretty well but printing on the watercolor postcards was a little trickier. My prints aren't coming out clean and looking at common guidance on Reddit, I think the issue is lack of pressure; so the thickness of the paper is inhibiting proper printing pressure? I'm looking at presses. I may try wetting the paper first. 
• To fix the inking issues above, I ended up covering a bit with a brush. It was tedious and unsatisfying.
• I did overink the plate and one point and that's hard to undo. I had to scrub the lino with water and soap and start over.

I'm tagging the cards with this and sending to friends/family; the first run is 12 but I think I'll aim for 20 for a February card. If you're reading this and want to get a periodic postcard, PM me your mailing address.

Inspired by my sister’s awesome Christmas cards from long ago, I took some classes in linoleum block printing and have been sporadically playing with it ever since. For 2025, I want to improve my artistic and technical skills by making 6-12 prints, each featuring a technique I’d like to learn or practice!!

What’s the fun in making a couple of prints and putting them in a drawer? Instead I’d like to print postcards and send them to my friends. What should you do with them? Keep them as long as they spark joy, then joyfully put them in your recycling bin. If you’d like to offer artistic critique, it would be very welcome!!

For this inaugural card, I’ve worked on more precise carving, gradient ink, and better printing techniques.

"Artist's Proof" for January